Home › Forums › Dinosaur Related Discussions › Dinosaur/J News & Discussions › Ear Bleeding Country
- This topic has 0 replies, 1 voice, and was last updated 21 years, 6 months ago by Cloud9.
November 17, 2001 at 5:32 am #43692
Or As Said Before:
Dinosaur Jr.: J. Mascis (vocals, guitar, piano, organ, keyboards, bass, drums, tympani, chimes, percussion); Mike Johnson (vocals, guitar, bass); Lou Barlow (vocals, ukulele, Casio, bass, tapes); Murph (drums). Additional personnel: Tiffany Anders, Kevin Shields, Bilinda Butcher (vocals); Don Fleming (guitar, background vocals); Greg Dwinell (pedal steel guitar); Donna Guager (piccolo, trumpet); Sean Slade (mellotron); Jay Spiegel (tom toms); Lee Renaldo (background vocals). Producers include: Dinosaur Jr., J. Mascis. Compilation producer: Hillary Bratton. Recorded between 1985 and 2000. Includes liner notes by Byron Coley. Digitally remastered by Dave Donnelly (DNA Mastering Studios). Dinosaur Jr. first emerged (as simply Dinosaur) from the Massachusetts punk scene in the mid-80’s with sonic, provoking, genre-bending-with-just-a-dollop-of-pop releases on stalwart indie labels Homestead and SST. With J. Mascis’ hauntingly off-key half-growl, half-howl lurking under layers and layers of distortion, fuzz and drone, they were locks to bend the ear of an adoring underground radio cult, but the longest of shots to garner million-selling records, let alone touch the pop charts. However, Dinosaur Jr. did all of the above, ruling college radio for almost a decade in the late-80s and early-90s, selling a ton of albums, even scoring a MTV Buzz bin aided Billboard pop hit in 1994 with "Feel The Pain." In true indie-rock fashion, after that hit Dinosaur Jr. faded out after one mostly forgettable final album. The aptly named EAR BENDING COUNTRY evenly collects cuts chronologically from Dinosaur Jr.’s seven albums, an EP, a single, while also including a couple tracks from J. Mascis’ more subtle, yet still oddball and compelling non-Dinosaur recordings. Of special note is the inclusion of the at first glance mocking, yet in reality furiously reverent cover of The Cure’s "Just Like Heaven" and the Beatlesque jagged-horn laden "I’m Insane" originally hidden on aforementioned final album.
You must be logged in to reply to this topic.
- Click to email a link to a friend (Opens in new window)
- Click to share on Twitter (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to share on Facebook (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on Pocket (Opens in new window)
- Click to share on WhatsApp (Opens in new window)
- Click to share on Pinterest (Opens in new window)
- Click to share on Telegram (Opens in new window)
- Click to share on Skype (Opens in new window)